January 30, 2014 § 14 Comments
‘I’ve been thinking about beginnings this week; beginnings and endings’.
The first line hooks me in, and I read to the end without stopping. Now I want more. Evocative, vibrant, raw expression.
Siobhan is new to writing, new to blogging. I want to encourage her, want you to read her stuff and let her know you like it. Please read on…
I’ve been thinking about beginnings this week; beginnings and endings. Autumn is always when the largest proportion of people die, I have discovered, but this autumn a lot of my friends got married or engaged. All in places far away… Canada, Australia, the United States. The deaths didn’t come this year. It unsettles me. I think I’m thinking about it because it’s getting close to February. I found out that my fiancé (now ex, obviously) had potentially terminal cancer in February a few years ago. Going back six years, it’s also the month that my grandfather died. I was heartbroken.
The death of my grandfather is something that I’ve never talked about that much, mainly because the last time I saw him I was seven years old. He looks like me. I look like him… I had bright white hair when I was a child. (There’s a photo of me somewhere…
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December 3, 2013 § 6 Comments
‘I travelled the old road every day, I took my fruits to the market,
my cattle to the meadows, I ferried my boat across the stream and
all the ways were well known to me.
One morning my basket was heavy with wares. Men were busy in
the fields, the pastures crowded with cattle; the breast of earth
heaved with the mirth of ripening rice.
Suddenly there was a tremor in the air, and the sky seemed to
kiss me on my forehead. My mind started up like the morning out of
I forgot to follow the track. I stepped a few paces from the
path, and my familiar world appeared strange to me, like a flower
I had only known in bud.
My everyday wisdom was ashamed. I went astray in the fairyland
of things. It was the best luck of my life that I lost my path that
morning, and found my eternal childhood.
December 1, 2013 § 2 Comments
November 24, 2013 § 6 Comments
A short story…can be held in the mind all in one piece. It’s less like a building than a fiendish device. Every bit of it must be cunningly made and crafted to fit together perfectly and without waste so it can perform its task with absolute precision. That purpose might be to move the reader to tears or wonder, to awaken the conscience, to console, to gladden, or to enlighten. But each short story has one chief purpose, and every sentence, phrase, and word is crafted to achieve that end. The ideal short story is like a knife–strongly made, well balanced, and with an absolute minimum of moving parts.
– Michael Swanwick
November 17, 2013 § 15 Comments
I’ve been blogging for about eight weeks now. And now I have my first award!
An ex boyfriend had a t-shirt I rather liked. It said:
Join The Army
Travel The World
Meet Lots of Interesting People
And Kill Them
The middle lines are happening, and the first and last amuse in a perverse kind of way. I have ‘met’ some wonderful, kind, talented and inspiring people on the blog, and many of them, for however short a time, are now in my life. One of them is the Author Miranda Stone. Thank you for your support, Miranda, and for nominating me. Check out her amazing blog.
And now Ten Things About Me:
- I prefer barefoot
- I like the thought of cities
- I like them even more when they’re behind me.
- The older I get the more childlike I become.
- I know nothing, and I shall know even less tomorrow.
- The only obstacle to success is me. BTW – what is success?
- Love is the only thing that matters. All the rest is someone else’s idea.
- The very best place is in my bed…
- …or a wild place where what we are doing to the planet is invisible.
I have done lots of ‘exciting’ things in my life that only the wealthy can afford; but now cycling in the rain feels pretty damn good.
And now The List. An incomplete list of just a few of the splendid bloggers who have inspired me every day:
CHECK THEM OUT – THEY’RE ALL BRILLIANT!
November 6, 2013 § Leave a comment
October 28, 2013 § 2 Comments
The garden in June is best expressed in watercolour. It reminds me of Monet’s paintings – particularly his much maligned, semi-abstract works crafted towards the end of his life when he was nearly blind.
I sit with half closed eyes. The shapes become indistinct, the colours overlap and fuse. The flowers are fragile yet eloquent – they know their life is brief.
This garden is not for vigorous digging now, but for gentle pruning, dead-heading and musing. Nor is it for the bright prime colours that will grow later in the year. I will use graded washes and modified hues: thin, raw umber and zinc white, with a dash of dioxazine purple for an old blousy rose, diluted cadmium red and white with a hint of black for a graceful hollyhock.
I paint horizontally on wet, stretched paper, with sponge, a rag, and a voluptuous sable brush dripping with wash. The paint spreads and granulates, and I allow the wash freedom to express itself, occasionally directing by mopping or tilting the painting from side to side to help the paint flow. There is no detail in this painting: just a trace, a promise, an intimation of what is.
Time slows, and I see the garden through an ephemeral mist. I try and evoke a sense of spiritual place and emotional peace; a reminder that my inner life can be like this, too.
But my garden in August demands to be painted in oils.Time is speeding up now, and the plants that flourish in these dry conditions own the colours of the North African and Mediterranean garden. The sun does not compromise: it’s sharp, bright light mirrors the flamboyant blooms. The flowers are vibrant, provocative, vivacious – I think of Rousseau or Pollock – the shapes grandiose and architectural. The plants shoot aggressively out of the ground overnight: their vigour and hurried growth expressing the final push before the plants die down and rest.
The colours are primary and bold. Pure undiluted cadmiums now: red for the spikes of gladioli, deep yellow for the canna lilies that hold water in their leaf hearts, and then ultramarine for the deadly yet handsome aconite. I mix a vibrant palette beforehand for I will need to paint quickly and vigorously in one sitting – the plant energy demands it. I use thick oils with palette knives: vigorously spreading, smoothing, cutting and flicking the paint to capture the bold energy of the August garden.